MozartV1, PascalFrancis, Corpus, bibRecord, 000121

The effects of music exposure and own genre preference on conscious and unconscious cognitive processes : A pilot ERP study

Identifieur interne : 000121 ( PascalFrancis/Corpus ); précédent : 000120; suivant : 000122

The effects of music exposure and own genre preference on conscious and unconscious cognitive processes : A pilot ERP study

Auteurs : George N. Caldwell ; Leigh M. Riby

Source :

Consciousness and cognition : (Print) [ 1053-8100 ] ; 2007.

RBID : Francis:08-0097231

Descripteurs français

Pascal (Inist)
- Musique, Traitement information, Préférence, Conscience, Cognition, Potentiel évoqué cognitif, Préattention, Musicien, Familiarité stimulus, Homme, Genre musical.

English descriptors

KwdEn :
- Cognition, Consciousness, Event evoked potential, Human, Information processing, Music, Musician, Preattention, Preference, Stimulus familiarity.

Abstract

Did Beethoven and Mozart have more in common with each other than Clapton and Hendrix? The current research demonstrated the widely reported Mozart Effect as only partly significant. Event-related brain potentials (ERPs) were recorded from 16 professional classical and rock musicians during a standard 2 stimulus visual oddball task, while listening to classical and rock music. During the oddball task participants were required to discriminate between an infrequent target stimulus randomly embedded in a train of repetitive background or standard stimuli. Consistent with previous research, the P3 and N2 ERPs were elicited in response to the infrequent target stimuli. Own genre preference resulted in a reduction in amplitude of the P3 for classical musicians exposed to classical music and rock musicians exposed to rock music. Notably, at the pre-attentive stage of processing (N2) beneficial effects of exposure to classical music were observed for both groups of musicians. These data are discussed in terms of short and long-term music benefits on both conscious and unconscious cognitive processes.

Notice en format standard (ISO 2709)

Pour connaître la documentation sur le format Inist Standard.

A01	`01`	`1`		`@0 1053-8100`
A03		`1`		`@0 Conscious. cogn. : (Print)`
A05				`@2 16`
A06				`@2 4`
A08	`01`	`1`	`ENG`	`@1 The effects of music exposure and own genre preference on conscious and unconscious cognitive processes : A pilot ERP study`
A11	`01`	`1`		`@1 CALDWELL (George N.)`
A11	`02`	`1`		`@1 RIBY (Leigh M.)`
A14	`01`			`@1 Department of Psychology, Glasgow Caledonian University, 70 Cowcaddens Road @2 Glasgow G4 OBA @3 GBR @Z 1 aut. @Z 2 aut.`
A20				`@1 992-996`
A21				`@1 2007`
A23	`01`			`@0 ENG`
A43	`01`			`@1 INIST @2 22612 @5 354000162169300150`
A44				`@0 0000 @1 © 2008 INIST-CNRS. All rights reserved.`
A45				`@0 1/4 p.`
A47	`01`	`1`		`@0 08-0097231`
A60				`@1 P`
A61				`@0 A`
A64	`01`	`1`		`@0 Consciousness and cognition : (Print)`
A66	`01`			`@0 NLD`
C01	`01`		`ENG`	@0 Did Beethoven and Mozart have more in common with each other than Clapton and Hendrix? The current research demonstrated the widely reported Mozart Effect as only partly significant. Event-related brain potentials (ERPs) were recorded from 16 professional classical and rock musicians during a standard 2 stimulus visual oddball task, while listening to classical and rock music. During the oddball task participants were required to discriminate between an infrequent target stimulus randomly embedded in a train of repetitive background or standard stimuli. Consistent with previous research, the P3 and N2 ERPs were elicited in response to the infrequent target stimuli. Own genre preference resulted in a reduction in amplitude of the P3 for classical musicians exposed to classical music and rock musicians exposed to rock music. Notably, at the pre-attentive stage of processing (N2) beneficial effects of exposure to classical music were observed for both groups of musicians. These data are discussed in terms of short and long-term music benefits on both conscious and unconscious cognitive processes.
C02	`01`	`X`		`@0 770B03G @1 II`
C03	`01`	`X`	`FRE`	`@0 Musique @5 01`
C03	`01`	`X`	`ENG`	`@0 Music @5 01`
C03	`01`	`X`	`SPA`	`@0 Música @5 01`
C03	`02`	`X`	`FRE`	`@0 Traitement information @5 02`
C03	`02`	`X`	`ENG`	`@0 Information processing @5 02`
C03	`02`	`X`	`SPA`	`@0 Procesamiento información @5 02`
C03	`03`	`X`	`FRE`	`@0 Préférence @5 03`
C03	`03`	`X`	`ENG`	`@0 Preference @5 03`
C03	`03`	`X`	`SPA`	`@0 Preferencia @5 03`
C03	`04`	`X`	`FRE`	`@0 Conscience @5 04`
C03	`04`	`X`	`ENG`	`@0 Consciousness @5 04`
C03	`04`	`X`	`SPA`	`@0 Conciencia @5 04`
C03	`05`	`X`	`FRE`	`@0 Cognition @5 06`
C03	`05`	`X`	`ENG`	`@0 Cognition @5 06`
C03	`05`	`X`	`SPA`	`@0 Cognición @5 06`
C03	`06`	`X`	`FRE`	`@0 Potentiel évoqué cognitif @5 07`
C03	`06`	`X`	`ENG`	`@0 Event evoked potential @5 07`
C03	`06`	`X`	`SPA`	`@0 Potencial evocado cognitivo @5 07`
C03	`07`	`X`	`FRE`	`@0 Préattention @5 09`
C03	`07`	`X`	`ENG`	`@0 Preattention @5 09`
C03	`07`	`X`	`SPA`	`@0 Preattención @5 09`
C03	`08`	`X`	`FRE`	`@0 Musicien @5 10`
C03	`08`	`X`	`ENG`	`@0 Musician @5 10`
C03	`08`	`X`	`SPA`	`@0 Músico @5 10`
C03	`09`	`X`	`FRE`	`@0 Familiarité stimulus @5 11`
C03	`09`	`X`	`ENG`	`@0 Stimulus familiarity @5 11`
C03	`09`	`X`	`SPA`	`@0 Familiaridad estímulo @5 11`
C03	`10`	`X`	`FRE`	`@0 Homme @5 18`
C03	`10`	`X`	`ENG`	`@0 Human @5 18`
C03	`10`	`X`	`SPA`	`@0 Hombre @5 18`
C03	`11`	`X`	`FRE`	`@0 Genre musical @4 INC @5 86`
C07	`01`	`X`	`FRE`	`@0 Electrophysiologie @5 37`
C07	`01`	`X`	`ENG`	`@0 Electrophysiology @5 37`
C07	`01`	`X`	`SPA`	`@0 Electrofisiología @5 37`
C07	`02`	`X`	`FRE`	`@0 Encéphale @5 38`
C07	`02`	`X`	`ENG`	`@0 Encephalon @5 38`
C07	`02`	`X`	`SPA`	`@0 Encéfalo @5 38`
C07	`03`	`X`	`FRE`	`@0 Système nerveux central @5 39`
C07	`03`	`X`	`ENG`	`@0 Central nervous system @5 39`
C07	`03`	`X`	`SPA`	`@0 Sistema nervioso central @5 39`
N21				`@1 052`

Format Inist (serveur)

NO :	FRANCIS 08-0097231 INIST
ET :	The effects of music exposure and own genre preference on conscious and unconscious cognitive processes : A pilot ERP study
AU :	CALDWELL (George N.); RIBY (Leigh M.)
AF :	Department of Psychology, Glasgow Caledonian University, 70 Cowcaddens Road/Glasgow G4 OBA/Royaume-Uni (1 aut., 2 aut.)
DT :	Publication en série; Niveau analytique
SO :	Consciousness and cognition : (Print); ISSN 1053-8100; Pays-Bas; Da. 2007; Vol. 16; No. 4; Pp. 992-996; Bibl. 1/4 p.
LA :	Anglais
EA :	Did Beethoven and Mozart have more in common with each other than Clapton and Hendrix? The current research demonstrated the widely reported Mozart Effect as only partly significant. Event-related brain potentials (ERPs) were recorded from 16 professional classical and rock musicians during a standard 2 stimulus visual oddball task, while listening to classical and rock music. During the oddball task participants were required to discriminate between an infrequent target stimulus randomly embedded in a train of repetitive background or standard stimuli. Consistent with previous research, the P3 and N2 ERPs were elicited in response to the infrequent target stimuli. Own genre preference resulted in a reduction in amplitude of the P3 for classical musicians exposed to classical music and rock musicians exposed to rock music. Notably, at the pre-attentive stage of processing (N2) beneficial effects of exposure to classical music were observed for both groups of musicians. These data are discussed in terms of short and long-term music benefits on both conscious and unconscious cognitive processes.
CC :	770B03G
FD :	Musique; Traitement information; Préférence; Conscience; Cognition; Potentiel évoqué cognitif; Préattention; Musicien; Familiarité stimulus; Homme; Genre musical
FG :	Electrophysiologie; Encéphale; Système nerveux central
ED :	Music; Information processing; Preference; Consciousness; Cognition; Event evoked potential; Preattention; Musician; Stimulus familiarity; Human
EG :	Electrophysiology; Encephalon; Central nervous system
SD :	Música; Procesamiento información; Preferencia; Conciencia; Cognición; Potencial evocado cognitivo; Preattención; Músico; Familiaridad estímulo; Hombre
LO :	INIST-22612.354000162169300150
ID :	08-0097231

Links to Exploration step

Francis:08-0097231

Le document en format XML

<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">The effects of music exposure and own genre preference on conscious and unconscious cognitive processes : A pilot ERP study</title>
<author><name sortKey="Caldwell, George N" sort="Caldwell, George N" uniqKey="Caldwell G" first="George N." last="Caldwell">George N. Caldwell</name>
<affiliation><inist:fA14 i1="01"><s1>Department of Psychology, Glasgow Caledonian University, 70 Cowcaddens Road</s1>
<s2>Glasgow G4 OBA</s2>
<s3>GBR</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Riby, Leigh M" sort="Riby, Leigh M" uniqKey="Riby L" first="Leigh M." last="Riby">Leigh M. Riby</name>
<affiliation><inist:fA14 i1="01"><s1>Department of Psychology, Glasgow Caledonian University, 70 Cowcaddens Road</s1>
<s2>Glasgow G4 OBA</s2>
<s3>GBR</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">08-0097231</idno>
<date when="2007">2007</date>
<idno type="stanalyst">FRANCIS 08-0097231 INIST</idno>
<idno type="RBID">Francis:08-0097231</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000121</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">The effects of music exposure and own genre preference on conscious and unconscious cognitive processes : A pilot ERP study</title>
<author><name sortKey="Caldwell, George N" sort="Caldwell, George N" uniqKey="Caldwell G" first="George N." last="Caldwell">George N. Caldwell</name>
<affiliation><inist:fA14 i1="01"><s1>Department of Psychology, Glasgow Caledonian University, 70 Cowcaddens Road</s1>
<s2>Glasgow G4 OBA</s2>
<s3>GBR</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
<author><name sortKey="Riby, Leigh M" sort="Riby, Leigh M" uniqKey="Riby L" first="Leigh M." last="Riby">Leigh M. Riby</name>
<affiliation><inist:fA14 i1="01"><s1>Department of Psychology, Glasgow Caledonian University, 70 Cowcaddens Road</s1>
<s2>Glasgow G4 OBA</s2>
<s3>GBR</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</inist:fA14>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">Consciousness and cognition : (Print)</title>
<title level="j" type="abbreviated">Conscious. cogn. : (Print)</title>
<idno type="ISSN">1053-8100</idno>
<imprint><date when="2007">2007</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">Consciousness and cognition : (Print)</title>
<title level="j" type="abbreviated">Conscious. cogn. : (Print)</title>
<idno type="ISSN">1053-8100</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Cognition</term>
<term>Consciousness</term>
<term>Event evoked potential</term>
<term>Human</term>
<term>Information processing</term>
<term>Music</term>
<term>Musician</term>
<term>Preattention</term>
<term>Preference</term>
<term>Stimulus familiarity</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Musique</term>
<term>Traitement information</term>
<term>Préférence</term>
<term>Conscience</term>
<term>Cognition</term>
<term>Potentiel évoqué cognitif</term>
<term>Préattention</term>
<term>Musicien</term>
<term>Familiarité stimulus</term>
<term>Homme</term>
<term>Genre musical</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Did Beethoven and Mozart have more in common with each other than Clapton and Hendrix? The current research demonstrated the widely reported Mozart Effect as only partly significant. Event-related brain potentials (ERPs) were recorded from 16 professional classical and rock musicians during a standard 2 stimulus visual oddball task, while listening to classical and rock music. During the oddball task participants were required to discriminate between an infrequent target stimulus randomly embedded in a train of repetitive background or standard stimuli. Consistent with previous research, the P3 and N2 ERPs were elicited in response to the infrequent target stimuli. Own genre preference resulted in a reduction in amplitude of the P3 for classical musicians exposed to classical music and rock musicians exposed to rock music. Notably, at the pre-attentive stage of processing (N2) beneficial effects of exposure to classical music were observed for both groups of musicians. These data are discussed in terms of short and long-term music benefits on both conscious and unconscious cognitive processes.</div>
</front>
</TEI>
<inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>1053-8100</s0>
</fA01>
<fA03 i2="1"><s0>Conscious. cogn. : (Print)</s0>
</fA03>
<fA05><s2>16</s2>
</fA05>
<fA06><s2>4</s2>
</fA06>
<fA08 i1="01" i2="1" l="ENG"><s1>The effects of music exposure and own genre preference on conscious and unconscious cognitive processes : A pilot ERP study</s1>
</fA08>
<fA11 i1="01" i2="1"><s1>CALDWELL (George N.)</s1>
</fA11>
<fA11 i1="02" i2="1"><s1>RIBY (Leigh M.)</s1>
</fA11>
<fA14 i1="01"><s1>Department of Psychology, Glasgow Caledonian University, 70 Cowcaddens Road</s1>
<s2>Glasgow G4 OBA</s2>
<s3>GBR</s3>
<sZ>1 aut.</sZ>
<sZ>2 aut.</sZ>
</fA14>
<fA20><s1>992-996</s1>
</fA20>
<fA21><s1>2007</s1>
</fA21>
<fA23 i1="01"><s0>ENG</s0>
</fA23>
<fA43 i1="01"><s1>INIST</s1>
<s2>22612</s2>
<s5>354000162169300150</s5>
</fA43>
<fA44><s0>0000</s0>
<s1>© 2008 INIST-CNRS. All rights reserved.</s1>
</fA44>
<fA45><s0>1/4 p.</s0>
</fA45>
<fA47 i1="01" i2="1"><s0>08-0097231</s0>
</fA47>
<fA60><s1>P</s1>
</fA60>
<fA61><s0>A</s0>
</fA61>
<fA64 i1="01" i2="1"><s0>Consciousness and cognition : (Print)</s0>
</fA64>
<fA66 i1="01"><s0>NLD</s0>
</fA66>
<fC01 i1="01" l="ENG"><s0>Did Beethoven and Mozart have more in common with each other than Clapton and Hendrix? The current research demonstrated the widely reported Mozart Effect as only partly significant. Event-related brain potentials (ERPs) were recorded from 16 professional classical and rock musicians during a standard 2 stimulus visual oddball task, while listening to classical and rock music. During the oddball task participants were required to discriminate between an infrequent target stimulus randomly embedded in a train of repetitive background or standard stimuli. Consistent with previous research, the P3 and N2 ERPs were elicited in response to the infrequent target stimuli. Own genre preference resulted in a reduction in amplitude of the P3 for classical musicians exposed to classical music and rock musicians exposed to rock music. Notably, at the pre-attentive stage of processing (N2) beneficial effects of exposure to classical music were observed for both groups of musicians. These data are discussed in terms of short and long-term music benefits on both conscious and unconscious cognitive processes.</s0>
</fC01>
<fC02 i1="01" i2="X"><s0>770B03G</s0>
<s1>II</s1>
</fC02>
<fC03 i1="01" i2="X" l="FRE"><s0>Musique</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="ENG"><s0>Music</s0>
<s5>01</s5>
</fC03>
<fC03 i1="01" i2="X" l="SPA"><s0>Música</s0>
<s5>01</s5>
</fC03>
<fC03 i1="02" i2="X" l="FRE"><s0>Traitement information</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="ENG"><s0>Information processing</s0>
<s5>02</s5>
</fC03>
<fC03 i1="02" i2="X" l="SPA"><s0>Procesamiento información</s0>
<s5>02</s5>
</fC03>
<fC03 i1="03" i2="X" l="FRE"><s0>Préférence</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="X" l="ENG"><s0>Preference</s0>
<s5>03</s5>
</fC03>
<fC03 i1="03" i2="X" l="SPA"><s0>Preferencia</s0>
<s5>03</s5>
</fC03>
<fC03 i1="04" i2="X" l="FRE"><s0>Conscience</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="X" l="ENG"><s0>Consciousness</s0>
<s5>04</s5>
</fC03>
<fC03 i1="04" i2="X" l="SPA"><s0>Conciencia</s0>
<s5>04</s5>
</fC03>
<fC03 i1="05" i2="X" l="FRE"><s0>Cognition</s0>
<s5>06</s5>
</fC03>
<fC03 i1="05" i2="X" l="ENG"><s0>Cognition</s0>
<s5>06</s5>
</fC03>
<fC03 i1="05" i2="X" l="SPA"><s0>Cognición</s0>
<s5>06</s5>
</fC03>
<fC03 i1="06" i2="X" l="FRE"><s0>Potentiel évoqué cognitif</s0>
<s5>07</s5>
</fC03>
<fC03 i1="06" i2="X" l="ENG"><s0>Event evoked potential</s0>
<s5>07</s5>
</fC03>
<fC03 i1="06" i2="X" l="SPA"><s0>Potencial evocado cognitivo</s0>
<s5>07</s5>
</fC03>
<fC03 i1="07" i2="X" l="FRE"><s0>Préattention</s0>
<s5>09</s5>
</fC03>
<fC03 i1="07" i2="X" l="ENG"><s0>Preattention</s0>
<s5>09</s5>
</fC03>
<fC03 i1="07" i2="X" l="SPA"><s0>Preattención</s0>
<s5>09</s5>
</fC03>
<fC03 i1="08" i2="X" l="FRE"><s0>Musicien</s0>
<s5>10</s5>
</fC03>
<fC03 i1="08" i2="X" l="ENG"><s0>Musician</s0>
<s5>10</s5>
</fC03>
<fC03 i1="08" i2="X" l="SPA"><s0>Músico</s0>
<s5>10</s5>
</fC03>
<fC03 i1="09" i2="X" l="FRE"><s0>Familiarité stimulus</s0>
<s5>11</s5>
</fC03>
<fC03 i1="09" i2="X" l="ENG"><s0>Stimulus familiarity</s0>
<s5>11</s5>
</fC03>
<fC03 i1="09" i2="X" l="SPA"><s0>Familiaridad estímulo</s0>
<s5>11</s5>
</fC03>
<fC03 i1="10" i2="X" l="FRE"><s0>Homme</s0>
<s5>18</s5>
</fC03>
<fC03 i1="10" i2="X" l="ENG"><s0>Human</s0>
<s5>18</s5>
</fC03>
<fC03 i1="10" i2="X" l="SPA"><s0>Hombre</s0>
<s5>18</s5>
</fC03>
<fC03 i1="11" i2="X" l="FRE"><s0>Genre musical</s0>
<s4>INC</s4>
<s5>86</s5>
</fC03>
<fC07 i1="01" i2="X" l="FRE"><s0>Electrophysiologie</s0>
<s5>37</s5>
</fC07>
<fC07 i1="01" i2="X" l="ENG"><s0>Electrophysiology</s0>
<s5>37</s5>
</fC07>
<fC07 i1="01" i2="X" l="SPA"><s0>Electrofisiología</s0>
<s5>37</s5>
</fC07>
<fC07 i1="02" i2="X" l="FRE"><s0>Encéphale</s0>
<s5>38</s5>
</fC07>
<fC07 i1="02" i2="X" l="ENG"><s0>Encephalon</s0>
<s5>38</s5>
</fC07>
<fC07 i1="02" i2="X" l="SPA"><s0>Encéfalo</s0>
<s5>38</s5>
</fC07>
<fC07 i1="03" i2="X" l="FRE"><s0>Système nerveux central</s0>
<s5>39</s5>
</fC07>
<fC07 i1="03" i2="X" l="ENG"><s0>Central nervous system</s0>
<s5>39</s5>
</fC07>
<fC07 i1="03" i2="X" l="SPA"><s0>Sistema nervioso central</s0>
<s5>39</s5>
</fC07>
<fN21><s1>052</s1>
</fN21>
</pA>
</standard>
<server><NO>FRANCIS 08-0097231 INIST</NO>
<ET>The effects of music exposure and own genre preference on conscious and unconscious cognitive processes : A pilot ERP study</ET>
<AU>CALDWELL (George N.); RIBY (Leigh M.)</AU>
<AF>Department of Psychology, Glasgow Caledonian University, 70 Cowcaddens Road/Glasgow G4 OBA/Royaume-Uni (1 aut., 2 aut.)</AF>
<DT>Publication en série; Niveau analytique</DT>
<SO>Consciousness and cognition : (Print); ISSN 1053-8100; Pays-Bas; Da. 2007; Vol. 16; No. 4; Pp. 992-996; Bibl. 1/4 p.</SO>
<LA>Anglais</LA>
<EA>Did Beethoven and Mozart have more in common with each other than Clapton and Hendrix? The current research demonstrated the widely reported Mozart Effect as only partly significant. Event-related brain potentials (ERPs) were recorded from 16 professional classical and rock musicians during a standard 2 stimulus visual oddball task, while listening to classical and rock music. During the oddball task participants were required to discriminate between an infrequent target stimulus randomly embedded in a train of repetitive background or standard stimuli. Consistent with previous research, the P3 and N2 ERPs were elicited in response to the infrequent target stimuli. Own genre preference resulted in a reduction in amplitude of the P3 for classical musicians exposed to classical music and rock musicians exposed to rock music. Notably, at the pre-attentive stage of processing (N2) beneficial effects of exposure to classical music were observed for both groups of musicians. These data are discussed in terms of short and long-term music benefits on both conscious and unconscious cognitive processes.</EA>
<CC>770B03G</CC>
<FD>Musique; Traitement information; Préférence; Conscience; Cognition; Potentiel évoqué cognitif; Préattention; Musicien; Familiarité stimulus; Homme; Genre musical</FD>
<FG>Electrophysiologie; Encéphale; Système nerveux central</FG>
<ED>Music; Information processing; Preference; Consciousness; Cognition; Event evoked potential; Preattention; Musician; Stimulus familiarity; Human</ED>
<EG>Electrophysiology; Encephalon; Central nervous system</EG>
<SD>Música; Procesamiento información; Preferencia; Conciencia; Cognición; Potencial evocado cognitivo; Preattención; Músico; Familiaridad estímulo; Hombre</SD>
<LO>INIST-22612.354000162169300150</LO>
<ID>08-0097231</ID>
</server>
</inist>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/MozartV1/Data/PascalFrancis/Corpus

HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000121 | SxmlIndent | more

HfdSelect -h $EXPLOR_AREA/Data/PascalFrancis/Corpus/biblio.hfd -nk 000121 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    MozartV1
   |flux=    PascalFrancis
   |étape=   Corpus
   |type=    RBID
   |clé=     Francis:08-0097231
   |texte=   The effects of music exposure and own genre preference on conscious and unconscious cognitive processes : A pilot ERP study
}}

This area was generated with Dilib version V0.6.20.
Data generation: Sun Apr 10 15:06:14 2016. Site generation: Tue Feb 7 15:40:35 2023

	Serveur d'exploration sur Mozart
	Attention, ce site est en cours de développement ! Attention, site généré par des moyens informatiques à partir de corpus bruts. Les informations ne sont donc pas validées.

Serveur d'exploration sur Mozart

The effects of music exposure and own genre preference on conscious and unconscious cognitive processes : A pilot ERP study

The effects of music exposure and own genre preference on conscious and unconscious cognitive processes : A pilot ERP study

Source :

Descripteurs français

English descriptors

Abstract

Notice en format standard (ISO 2709)

Format Inist (serveur)

Links to Exploration step

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri